My Childhood

I thought it ended a few years ago, but now I am certain.

This happened.

Music for Learning. Music for Communicating.

One thing I have always found interesting, especially from a neurological and a psychosocial standpoint is music. For instance, I believe1 (without any evidence whatsoever--perhaps my more intrepid readers could do a PubMed search, but the only readers of this blog who would value that are myself, and Greg C) that music and lyrics engage different neurological pathways and processes for learning, as opposed to typical "book larnin." For instance, if I asked you something you read or learned several months ago, you'd probably be pretty foggy. Just ask me about all the antiepileptic drugs I crammed for my boards a couple months ago. Yet if a song came on the radio, even one you haven't heard for several months, you could sing along without much difficulty, and remember mots of lines. Probably part of this is due to repetition, but then again, I repetitively flipped through those pharmacology flash cards a lot too.

Now here's this, in a recent interview by Scott Horton with famed neurologist Oliver Sacks in Harper's:

Aphasia is a terribly frustrating and isolating condition. Some people experience temporary aphasia (say, following a stroke or brain injury), but others are left with it for months or years. Yet many people with expressive aphasia, unable to utter a sentence, may be able to sing. I often greet such patients by singing “Happy Birthday” to them, whether it is their birthday or not. Everyone knows the words and melody of this song, and often aphasic people can join in. In 1973, Martin Albert and his colleagues in Boston described a form of music therapy they called “melodic intonation therapy.” Patients were taught to sing or intone short phrases—for example, “How are you today?” Then the musical elements of this were removed slowly until (in some cases) the patient regained the power to speak a little without the aid of intonation. One sixty-seven-year-old man, aphasic for eighteen months—he could only produce meaningless grunts and had received three months of speech therapy without effect—started to produce words two days after beginning melodic intonation therapy; in two weeks, he had an effective vocabulary of a hundred words, and at six weeks, he could carry on “short, meaningful conversations.”

This is a very specific use of music therapy, but there are many others. People with Alzheimer’s or other dementias will often respond to music even when they are able to respond to little else. Music, especially familiar music from one’s early years, can help to orient and organize such people.

Music works because it engages so many parts of the brain. Rhythm, actual or imagined, activates areas of the motor cortex, crucial in synchronizing and energizing movement—whether for athletes or people with movement disorders like Parkinson’s disease or Tourette’s syndrome. In Musicophilia, I described a man who has incessant seizures, which only stop when he plays music, though this is a highly individual thing, for some people with epilepsy may find that music of a particular sort can actually trigger seizures. By and large, though, there are few, if any, bad side effects of music, and music can often work where no medications can.

Interesting!

The Man at Midnight

Via Ray Ortlund, quoting Alexander Whyte's Lord, Teach Us to Pray:

"See the man at midnight. Imitate that man. Act it all alone at midnight. Hear his loud cry, and cry it after him. He needed three loaves. What is your need? Name it. Name it out loud. Let your own ears hear it. . . . The shameful things you have to ask for. The disgraceful, the incredible things you have to admit and confess. The life you have lived. The way you have spent your days and nights. And what all that has brought you to. It kills you to have to say such things even with your door shut. Yes, but better say all these things in closets than have them all proclaimed from the housetops of the day of judgment. Knock, man! Knock for the love of God! Knock as they knock to get into heaven after the door is shut! Knock, as they knock to get out of hell!"

Do I pray with such urgency? Such humilty? No.

Travelling Aboard the Sea Wolf

Lately I've been reading some of Jack London's Sea Wolf, in which, through chance, the aristocratic and idealistic Humphrey Van Leyden finds himself aboard a seal-hunting ship bound for Japan at the turn of the twentieth century. The ship is captained by the towering Wolf Larsen, a man whose cruelty is a reflection not of the oppression of the capitalist economic regime--the socialist London uses other characters to make that point--but of the vacuousness of modern materialism.¹

An excerpt:

Before closing this incident, I must give a scrap of conversation I had with Wolf Larsen in the cabin, while I was washing the dishes.

"You were looking squeamish this afternoon," he began. "What was the matter?"

I could see that he knew what had made me possibly as sick as Harrison, that he was trying to draw me, and I answered, "It was because of the brutal treatment of that boy."

He gave a short laugh. "Like seasickness, I suppose. Some men are subject to it, and others are not."

"Not so," I objected.

"Just so," he went on. "The earth is as full of brutality as the sea is full of motion. And some men are made sick by the one, and some by the other. That's the only reason."

"But you, who make a mock of human life, don't you place any value upon it whatever?" I demanded.

"Value? What value?" He looked at me, and though his eyes were steady and motionless, there seemed a cynical smile in them. "What kind of value? How do you measure it? Who values it?"

"I do," I made answer.

"Then what is it worth to you? Another man's life, I mean. Come, now, what is it worth?"

The value of life? How could I put a tangible value upon it? Somehow, I, who have always had expression, lacked expression when with Wolf Larsen. I have since determined that a part of it was due to the man's personality, but that the greater part was due to his totally different outlook. Unlike other materialists I had met and with whom had something in common to start on, I had nothing in common with him. Perhaps, also, it was the elemental simplicity of his mind that baffled me. He drove so directly to the core of the matter, divesting a question always of all superfluous details, and with such an air of finality, that I seemed to find myself struggling in deep water with no footing under me. Value of life? How could I answer the question on the spur of the moment? The sacredness of life I had accepted as axiomatic. That it was intrinsically valuable was a truism I had never questioned. But when he challenged the truism I was speechless.

"We were talking about this yesterday," he said. "I held that life was a ferment, a yeasty something which devoured life that it might live, and that living was merely successful piggishness. Why, if there is anything in supply and demand, life is the cheapest thing in the world. There is only so much water, so much earth, so much air; but the life that is demanding to be born is limitless. Nature is a spendthrift. Look at the fish and their millions of eggs. For that matter, look at you and me. In our loins are the possibilities of millions of lives. Could we but find time and opportunity and utilize the last bit and every bit of the unborn life that is in us, we could become the fathers of nations and populate continents. Life? Bah! It has no value. Of cheap things it is the cheapest. Everywhere it goes begging. Nature spills it out with a lavish hand. Where there is room for one life, she sows a thousand lives, and it's life eats life till the strongest and most piggish life is left."

"You have read Darwin," I said. "But you read him misunderstandingly when you conclude that the struggle for existence sanctions your wanton destruction of life."

He shrugged his shoulders. "You know you only mean that in relation to human life, for of the flesh and the fowl and the fish you destroy as much as I or any other man. And human life is in no wise different, though you feel it is and think that you reason why it is. Why should I be parsimonious with this life which is cheap and without value? There are more sailors than there are ships on the sea for them, more workers than there are factories or machines for them. Why, you who live on the land know that you house your poor people in the slums of cities and loose famine and pestilence upon them, and that there still remain more poor people, dying for want of a crust of bread and a bit of meat, (which is life destroyed), than you know what to do with. Have you ever seen the London dockers fighting like wild beasts for a chance to work?"

He started for the companion stairs, but turned his head for a final word. "Do you know the only value life has is what life puts upon itself? And it is of course overestimated, since it is of necessity prejudiced in its own favor. Take that man I had aloft. He held on as if he were a precious thing, a treasure beyond diamonds or rubies. To you? No. To me? Not at all. To himself? Yes. But I do not accept his estimate. He sadly overrates himself. There is plenty more life demanding to be born. Had he fallen and dripped his brains upon the deck like honey from the comb, there would have been no loss to the world. He was worth nothing to the world. The supply is too large. To himself only was he of value, and to show how fictitious even this value was, being dead he is unconscious that he has lost himself. He alone rated himself beyond diamonds and rubies. Diamonds and rubies are gone, spread out on the deck to be washed away by a bucket of sea-water, and he does not even know that the diamonds and rubies are gone. He does not lose anything, for with the loss of himself he loses the knowledge of loss. Don't you see? And what have you to say?"

"That you are at least consistent," was all I could say, and went on washing the dishes.

And later on:

I do not forget one night, when I should have been asleep, of lying on the forecastle-head and gazing down at the spectral ripple of foam thrust aside by the Ghost's forefoot. It sounded like the gurgling of a brook over mossy stones in some quiet dell, and the crooning song of it lured me away and out of myself till I was no longer Hump the cabin-boy, nor Van Weyden, the man who had dreamed away thirty- five years among books. But a voice behind me, the unmistakable voice of Wolf Larsen, strong with the invincible certitude of the man and mellow with appreciation of the words he was quoting, aroused me.

"`O the blazing tropic night, when the wake's a welt of light

That holds the hot sky tame,

And the steady forefoot snores through the planet-powdered floors

Where the scared whale flukes in flame.

Her plates are scarred by the sun, dear lass,

And her ropes are taut with the dew,

For we're booming down on the old trail, our own trail, the out trail,

We're sagging south on the Long Trail -- the trail that is always new.'"

"Eh, Hump? How's it strike you?" he asked, after the due pause which words and setting demanded.

I looked into his face. It was aglow with light, as the sea itself, and the eyes were flashing in the starshine.

"It strikes me as remarkable, to say the least, that you should show enthusiasm," I answered coldly.

"Why, man, it's living! it's life!" he cried.

"Which is a cheap thing and without value," I flung his words at him.

He laughed, and it was the first time I had heard honest mirth in his voice.

"Ah, I cannot get you to understand, cannot drive it into your head, what a thing this life is. Of course life is valueless, except to itself. And I can tell you that my life is pretty valuable just now -- to myself. It is beyond price, which you will acknowledge is a terrific overrating, but which I cannot help, for it is the life that is in me that makes the rating."

He appeared waiting for the words with which to express the thought that was in him, and finally went on.

"Do you know, I am filled with a strange uplift; I feel as if all time were echoing through me, as though all powers were mine. know truth, divine good from evil, right from wrong. My vision is clear and far. I could almost believe in God. But," -- and his voice changed and the light went out of his face, -- "what is this condition in which I find myself? this joy of living? this exultation of life? this inspiration, I may well call it? It is what comes when there is nothing wrong with one's digestion, when his stomach is in trim and his appetite has an edge, and all goes well. It is the bribe for living, the champagne of the blood, the effervescence of the ferment -- that makes some men think holy thoughts, and other men to see God or to create him when they cannot see him. That is all, the drunkenness of life, the stirring and crawling of the yeast, the babbling of the life that is insane with consciousness that it is alive. And -- bah! To- morrow I shall pay for it as the drunkard pays. And I shall know that must die, at sea most likely, cease crawling of myself to be all acrawl with the corruption of the sea; to be fed upon, to be carrion, to yield up all the strength and movement of my muscles that it may become strength and movement in fin and scale and the guts of fishes. Bah! And bah! again. The champagne is already flat. The sparkle and bubble has gone out and it is a tasteless drink."

1. Although I'm waiting for London to point out how the social Darwinism is used to justify economic exploitation. In a later chapter I suppose. I wonder what would happen if London and Nietszche had a conversation?

WOW! In reading Wikipedia on Nietszche's "Ubermensch" (or Super-Man), I just read this:

Jack London dedicated both his novels The Sea-Wolf and Martin Eden to criticizing Nietzsche's concept of the Übermensch and his radical individualism, which London, in his interpretation of Nietzsche's concept, considered to be selfish and egoistic.

Well, that answers that question.